306 Image Holger Birkholz 308 Pictorial Models and their Transformation in Landscape Painting in Dresden Anke Fröhlich-Schauseil 316 Dolmen in Autumn, Belated Reception Piece for the Dresden Art Academy Katrin Bielmeier 320 “In Truth, Our Delight in Flowers Comes Straight from Paradise” Mareike Hennig 326 Georg Friedrich Kersting (1785–1847) Werner Busch 330 Carl Gustav Carus (1789–1869) Dirk Gedlich 334 Caroline Bardua (1781–1864) Linda Alpermann 338 Louise Seidler (1786–1866) Linda Alpermann 340 Therese aus dem Winckel (1779–1867) Linda Alpermann 342 August Heinrich (1794–1822) Petra Kuhlmann-Hodick 346 Caspar David Friedrich as a Critic of His Contemporaries Johannes Rössler 354 Works by Caspar David Friedrich in the Correspondence of Vasily Andreyevich Zhukovsky New Material Marina Schulz THE NETWORKS APPENDIX 388 Biography 392 List of Exhibited Paintings and Drawings 410 Bibliography 424 Index of Names 428 Acknowledgements 429 Photography Credits 430 Editorial Note 431 Colophon 370 Underappreciated or Entirely Forgotten? On the Reception of Caspar David Friedrich’s Art between 1840 and 1890 Christian Scholl 376 “In A Horse-Drawn Coach ...” On the Evacuation and Return of Paintings by Caspar David Friedrich in the Second World War Claudia Maria Müller 380 Hans Joachim Neidhardt Rebuilds the Canon, Renewing Interest in Dresden Romanticism Klara von Lindern THE RECEPTION TREES 258 The Physiognomy of Trees Nina Amstutz COLOUR 266 Airscapes Holger Birkholz 276 Evening Skies Florian Illies ART TECHNOLOGY 280 “Head and Heart and Hand” Technical Findings in the Caspar David Friedrich Paintings at the Albertinum in Dresden Maria Körber 296 The Cemetery The Complete Fragment Kathleen Hohenstein 302 A Technical Reproduction of Caspar David Friedrich’s Sailing Ship of 1815 as a Study Tool Juliane Busch
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